{"id":272667,"date":"2023-04-26T13:02:44","date_gmt":"2023-04-26T19:02:44","guid":{"rendered":"https:\/\/coloradomusicfestival.org\/?p=272667"},"modified":"2023-07-27T12:45:54","modified_gmt":"2023-07-27T18:45:54","slug":"corigliano-3-works","status":"publish","type":"post","link":"https:\/\/coloradomusicfestival.org\/corigliano-3-works\/","title":{"rendered":"Composer John Corigliano: 3 Works to Explore an Epic Career"},"content":{"rendered":"<p><i><span style=\"font-weight: 400;\">story by Kyle MacMillan<br \/>\nphoto by J. Henry Fair<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">The Colorado Music Festival will pay tribute <\/span><span style=\"font-weight: 400;\">July 13, 2023<\/span><span style=\"font-weight: 400;\"> to John Corigliano, 2023 Festival composer-in-residence and one of this country\u2019s most respected composers, with a program that spans five of the six decades of his lengthy and still evolving career. Music Director Peter Oundjian will lead the Festival Orchestra in <\/span><span style=\"font-weight: 400;\">three major works<\/span><span style=\"font-weight: 400;\"> that showcase multiple facets of the 85-year-old composer\u2019s distinctive, tonally centered music.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The line-up begins with one of Corigliano\u2019s earliest works, <a href=\"https:\/\/www.youtube.com\/watch?v=Yoq4xbBHWFM\"><em>Gazebo Dances<\/em><\/a>\u00a0(1972). The composer\u2019s mother and a friend liked to perform <a href=\"https:\/\/en.wikipedia.org\/wiki\/Piano_four_hands\">piano four hands<\/a> (two players side by side at the keyboard), so this piece was originally written for that combination, and each movement is dedicated to a different amateur musician Corigliano has known. \u201cIt\u2019s a happy piece,\u201d he said in a recent interview for the Festival. \u201cIt was a piece for friends I loved, and it\u2019s supposed to represent a lot of joy, excitement and fun.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In a very different vein, the program\u2019s second work, <\/span><i><span style=\"font-weight: 400;\">One Sweet Morning<\/span><\/i><span style=\"font-weight: 400;\"> for Voice and Orchestra, was written for the 10<\/span><span style=\"font-weight: 400;\">th<\/span><span style=\"font-weight: 400;\"> anniversary of 9\/11 and commissioned by the New York Philharmonic and Shanghai Symphony Orchestra. \u201cTen years later,\u201d Corigliano wrote in notes accompanying the work, \u201cthat day is more calmly remembered as just one in a continuum of terrible days. Sept. 11th, 2001, was discrete and specific, but war and its anguishes have been with us forever. I needed a cycle of songs that would embed 9\/11 into that larger story.\u201d The work consists of poem settings, including an anti-war ode by American lyricist and poet <a href=\"https:\/\/www.songhall.org\/profile\/EY_Harburg\">E.Y. \u201cYip\u201d Harburg t<\/a>hat gives the work its title. Serving as soloist here is <a href=\"https:\/\/kelleyoconnor.com\">Grammy Award-winning mezzo-soprano Kelley O&#8217;Connor<\/a>, who devotes much of her career to contemporary masterworks like this one.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Rounding out the program is <\/span><i><span style=\"font-weight: 400;\">Triathlon<\/span><\/i><span style=\"font-weight: 400;\">, a saxophone concerto commissioned by the <a href=\"https:\/\/www.sfsymphony.org\">San Francisco Symphony<\/a> and premiered by noted <a href=\"https:\/\/timothymcallister.com\">soloist Timothy McAllister<\/a> and that orchestra in April 2022. The Colorado Music Festival Orchestra will be the third group to perform <\/span><i><span style=\"font-weight: 400;\">Triathlon<\/span><\/i><span style=\"font-weight: 400;\">, and McAllister again serves as soloist. The work emerged from a hand-written letter that McAllister sent in 2016 to Corigliano, which the composer kept on his desk and eventually returned to in November 2017. \u201cHe is one of those dream composers,\u201d the saxophonist said. \u201cI\u2019ve known his work my whole life.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">As with so many of his other pieces, Corigliano didn\u2019t want to create just a standard concerto with <\/span><i><span style=\"font-weight: 400;\">Triathlon<\/span><\/i><span style=\"font-weight: 400;\">, choosing instead to write a work with each movement serving as a kind of challenge for a different member of the saxophone family. The first section, titled \u201cLeaps,\u201d provides big, leaping melodies for the soprano sax. The next section, which McAllister describes as \u201cachingly gorgeous,\u201d carries the title \u201cLines\u201d and shows off the alto saxophone with long, serene phrases. The piece culminates with \u201cLicks,\u201d a section that offers musical fireworks for the deep-voiced baritone saxophone, which is typically heard less often as a solo instrument. \u201cThe baritone is in some ways the main attraction,\u201d McAllister said. \u201cThe audience sees the baritone onstage, but it hasn\u2019t been played yet. Everyone is kind of waiting for that.\u201d Then, at the end, the piece returns to the soprano saxophone with a recapitulation of the opening theme. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">These works are just a small sliver of the lifetime output of this still-active composer, but they span 50 years and offer a representative taste of the inventiveness, vibrancy, and substance that are likely to keep musicians performing his compositions well into the future.<\/span><\/p>\n<p><a href=\"https:\/\/coloradomusicfestival.org\/corigliano-legendary-composer\/\">Read our story &#8220;John Corigliano: A Closer Look at a Legendary Composer&#8221; &gt;\u00a0<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A unique Festival program spans five decades of composer John Corigliano&#8217;s lengthy and still evolving career.<\/p>\n","protected":false},"author":78,"featured_media":272668,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[382,8],"tags":[],"class_list":["post-272667","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","category-features"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/coloradomusicfestival.org\/wp-json\/wp\/v2\/posts\/272667","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/coloradomusicfestival.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/coloradomusicfestival.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/coloradomusicfestival.org\/wp-json\/wp\/v2\/users\/78"}],"replies":[{"embeddable":true,"href":"https:\/\/coloradomusicfestival.org\/wp-json\/wp\/v2\/comments?post=272667"}],"version-history":[{"count":0,"href":"https:\/\/coloradomusicfestival.org\/wp-json\/wp\/v2\/posts\/272667\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/coloradomusicfestival.org\/wp-json\/wp\/v2\/media\/272668"}],"wp:attachment":[{"href":"https:\/\/coloradomusicfestival.org\/wp-json\/wp\/v2\/media?parent=272667"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/coloradomusicfestival.org\/wp-json\/wp\/v2\/categories?post=272667"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/coloradomusicfestival.org\/wp-json\/wp\/v2\/tags?post=272667"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}